AN OVERTURE FOR HARMONY
Claude Stults
Allow me to preface this overture with an emphatic
disclaimer of any intention of inveigling Churches of Christ into
becoming Christian Churches, and even less of enticing members of
Churches of Christ into deserting their present affiliation to “join”
a Christian Church. My sole ambition is to persuade the members (all
who will listen) of both the Churches of Christ, and the Christian
Churches, that they are brethren in Christ, children of God, begotten
and inspired of the same Holy Spirit. As such, it is my hope that
they will act like brethren — one great brotherhood in Christ, and
under God, for the glory of God.
Allow me to say also that I have no argument to offer
in regard to either name (Church of Christ, or Christian Church),
since, according to my Bible (King James, American Revised, American
Standard and several others) , God never gave a name to the church;
and in those books I find the church called: “Church of
Christ,” “Church of God,” “Church of the
Lord,” “Church of the First Born,” “Church of
the saints,” and “Christians,” evidently the “New
name,” foretold by Isaiah.
However, “There’s one high hurdle to jump,”
in order to Christian unity, or harmony in the Restoration Movement.
After more than forty years’ survey of the ground, and the
continuous running of obstacle courses, I am convinced that that high
hurdle is the problem of music in worship. Christian Churches and
so-called “Disciple Churches” both use a piano or an
organ, or both, in their public worship. There are some twenty-five
or thirty factions, or sects, within the Churches of Christ, all of
whom sing only, without instrumental accompaniment of any kind. The
problem really consists in the fact that all parties to the division
are fully convinced that their positions are fully authorized by the
scriptures. It is to this problem that I address this overture; not
in the hope of converting any group to the other side, but of
persuading all groups to recognize each other as Christian and
brethren, so that the Restoration Movement can once again become one
brotherhood.
It has long been the position of the Christian
Churches, and the Disciples, that there is neither commandment,
apostolic precedent, nor necessary inference, that precludes, or
invalidates the use of a musical instrument. That position needs some
critical examination. On the other hand, it is the position of the
Churches of Christ that there is an apostolic commandment telling
what kind of music to use in worship, and since playing an instrument
is not particularly specified, it is forbidden. That position, too,
needs some critical examination. Perhaps, it would be better to begin
with this latter examination; and since it all hinges largely upon
the meaning of a Greek participle, “Psallontes,” I
propose that we start with an examination of the Greek verb,
“psallo.” It occurs five times in the New Testament:
Romans 15:9; 1 Corinthians 14:15, twice; Ephesians 5:19; and James
5:13. It occurs many times in the Old Testament LXX, or Septuagint.
The first reference in the New Testament, Romans 15:9
says, “And that the Gentiles might glorify God for his mercy;
as it is written, For this cause I will confess to thee among the
Gentiles, and psallo unto
thy name.” Paul says, “It is written.” It is proper
to inquire where it is written, and what Paul means by the citation.
We find it to be a quotation of four Old Testament scriptures: 2
Samuel 22:50; Psalms 18:49, Psalms 57:9, and Psalms 108:3. What Paul
is saying is that David prophesied that the time would come when the
Gentiles would “glorify” God by “psalloing”
unto His name. Furthermore, Paul cites that
prophecy as justification of his evangelism among the Gentiles, and
their conversion to Christianity. He cites the fact that God had
foretold, through David, approximately a thousand years before-hand,
that the Gentiles would do exactly what they were doing, as proof
that it was God’s will and foreknowledge that they should do
so. But what were they doing in Paul’s day, that had been
prophesied, a thousand years before, in David’s day, that they
would do? They were psalloing to
God’s name, glorifying Him. And what was that? What was “psalloing”?
Most, or all, preachers of the Church of Christ say
that it was “singing”; and cite the English translations,
as evidence of their contention. But I respectfully submit to you
that Paul had to mean exactly what David meant, by “psallo”,
or he would be misquoting David. If David prophesied by the Holy
Spirit that the Gentiles would glorify God by playing (a musical
instrument) to His name, and Paul said that David prophesied that
they would glorify God by singing to his name, he would certainly be
misquoting David, and telling a lie besides. But, it is argued, he
used exactly the same word that David had used a thousand years
before. . . only “psallo” had alienated, or changed its
meaning in the meantime. Brother Kurfees wrote that it changed
meaning, from “play” to “sing” in the year
146 B.C. Before that date, it meant “play” (a musical
instrument); after 146 B.C. it always meant “sing”; so
David prophesied that the Gentiles would worship God by “psalloing”
— playing a musical instrument; but Paul wrote that they were
worshiping God by “singing”, although he used the same
word that David had used. However, it cannot be denied that if Paul
used any word that did not mean what David meant he misquoted David,
and told a lie besides, saying that David said something that he did
not say. I am sure that every Christian will agree with me, that the
apostle Paul would not, and did not, tell a lie; that the apostle
Paul would not, and did not, misquote and misrepresent the prophet
David; that the apostle Paul did mean, in Romans 15:9, exactly what
David meant and said, in 2 Samuel 22:50; Psalms 18:49; Psalms 57:9
and Psalms 108:3. A thousand years before Paul’s day, David
prophesied that the Gentiles would glorify, or worship, God, by
playing to His name; and a thousand years later, the apostle Paul
declared that they were doing just what David prophesied that they
would do.
Brethren, I submit to you, that, regardless of what
“psallo” might mean, in the rest of the New Testament, in
Romans 15:9, it has to mean “play” (a musical
instrument), for that is what it meant in the prophecies that Paul
quoted, and Paul had to mean what they meant, or else he was
misquoting the Holy Spirit. If they meant one thing, and he meant
another, he was misquoting them. Furthermore, I submit to you, that
it is not enough to reply, “The translators said that it means
‘sing,’ in both places.” It would be excusable if
this were the only wrong translation that our English translators
made; but some of the world’s foremost Greek scholars declare
that there are at least three hundred thousand errors in the King
James Version.
For the sake of brevity, we shall quickly pass over the
next reference (I Corinthians 14:15, where “psallo”
occurs twice) with only a question or two. If “psallo”
means “play” in Rom. 15:9, which it has to do, unless
Paul was a liar and corrupter of scripture, why could not the same
apostle give it that same meaning the next time that he used it? If
“psallo” has to mean “play” in one instance
of the apostle’s writings, what law of linguistics precludes
its ever again having the same meaning, in the same apostle’s
writings?
With this brief, passing notice of I Corinthians 14:15,
we shall direct our attention to the next occurrence of “psallo”
in the New Testament, Ephesians 5:19. All, or most, of the debaters
in the Churches of Christ hold that this is a commandment that tells
Christians exactly what kind of music to use in worship, and since it
does not specifically command playing an instrument, it forbids it,
making the use of a musical instrument in worship a violation of a
commandment of God, and a presumptuous sin. However, that argument
bogs down in the translation, “making melody.” “Melody”
is a generic (or general) term, inclusive of any and every kind of
melody in the whole world; and the selection is not, and cannot be,
limited by the expression, “in, or with, the heart.” If a
man can make one kind of melody “in, or with, the heart,”
he, or other men, can make another, or any, kind of melody in, or
with the heart. So, if this is indeed a command to Christians,
telling them what kind of music to use in worship, it throws the door
wide open, not only to playing an instrument, but to playing any kind
of instrument.
Only last week, the minister of the Gloster Street
Church of Christ, in Tupelo, Mississippi, tried to expound this
scripture. His argument seemed to be that “psallo” is a
specific, not a generic, word (but we have seen that “melody”
is a generic noun, therefore the phrase “making melody”
has to be generic also) . I am not much impressed with his argument;
it succeeds in proving, mostly, that the translators made a mistake,
translating a specific term with a generic phrase. However, I
question his scholarship in saying that “psallo” is a
specific, not a general term. As the Greeks used the word, one could
psallo the beard, a bow-string, a chalk-line, a musical instrument,
and, according to the debaters, the vocal cords. An Englishman can
play a musical instrument, play games of all kinds, play jokes of
every nature, and play a snared fish or animal, to say nothing of
playing a part in a drama or farce, or in real life.
As for the rest of the argument, that since playing an
instrument is not specifically commanded it is a presumptuous sin,
because anything that is not commanded is sin, I want to point out
that Paul puts a hydrogen bomb under that logic, in at least three
places: Romans 4:15, Romans 5:13 and Romans 7:6, “Where there
is no law, neither is there transgression.” (John says, “Sin
is the transgression of the law.”) “Sin is not imputed
when there is no law” and “Apart from the law sin is
dead.” There is no more evident contradiction in any, and all,
literature than the dictum of the debaters, “If it is not
commanded, it is sin,” and the three statements of Paul: “Where
there is no law, neither is there transgression”; “Sin is
not imputed when there is no law”; and “Apart from the
law sin is dead.”
Many of the most eminent Greek scholars object to the
translation, “making melody,” in Ephesians 5:19, on other
grounds, also, than those noted, above. They point out that nowhere
else, in the other four occurrences of “psallo” in the
New Testament, and several scores of occurrences in the Old
Testament, have the translators ever found it possible, or honest,
from the viewpoint of scholarship, to translate “psallo”,
“make a melody.” In the New Testament, they have
translated it “sing”, and “sing a psalm”; and
in the Old Testament, “play”, and “sing praises”;
but never, never “make melody.” Also, I have read that in
no Greek literature translated into English, has “psallo”
ever been translated, “make melody.” Not being a student
of Greek literature, and not an extensive student of English
translations of it, it is impossible for me to say whether this is
true or false; but I accept it as true, on the basis of integrity of
great scholars and scholarship.
It seems to one Bible student that both the whole fight
against the use of a musical instrument in worship and the whole
fight for the use of the instrument, are built upon speculation,
interpretation, and fallacious translation; this being true, any
conclusion would be an opinion. As such, it is not ‘THE FAITH”,
and is neither essential to pardon and salvation, a criterion of
Christian fellowship and brotherhood, nor the basis of Christian
unity . . . or division. If God had only said, “Thou shalt not
use a musical instrument in worship,” or “Thou shalt use
a musical instrument in worship,” He would have settled the
whole matter, once and for all, right then and there. That would have
been “The FAITH.” But, since God has not said either, all
that man can do is speculate, and form an opinion. However, his
opinion will be, and must be, a personal opinion, which he has no
right under God to force upon another with different, or with no,
opinion, or make a test of brotherhood — either for, or against,
the instrument.
It also seems to this Bible student, that the churches
that have insisted upon using the instrument are as guilty of
speculation, and making their opinion a test of fellowship, as are
the churches who reject the instrument. Perhaps they are guiltier,
and more responsible for the division in the Restoration Movement,
over the question of instrumental music. Arguing, as they do, that
the use, or non-use, of an instrument is a matter of opinion, they
have made it, nevertheless, a test of fellowship and brotherhood, and
perpetuated a most unchristian division of Christians and brethren
over a mere opinion, to which they have made themselves slaves.
In order to notice a somewhat different argument, it is
proposed that we skip the last occurrence of “psallo” in
the New Testament, especially, since it can add little to the
observation already made concerning that word: except to point out
that it was an apostolic injunction, “Is any merry? Let him psallo,” whatever
that means; and to point out that this probably does not refer to
public, but to private, worship.
In Romans 14:23 it is written, “For whatsoever is
not of faith is sin.” This passage of scripture has often been
made to serve as proof that the use of a musical instrument in
worship is sin, or sinful, “Because faith cometh by hearing the
word of God; and God has not commanded the use of an instrument.”
However, that argument works the other way, too. It is a law of
logic, truth, and reason, that if a proposition is true, its converse
has to be equally true. The converse of this proposition can be
stated by transposition of terms; and we have, “Whatsoever is
not sin is of faith.” It is easy to demonstrate that this
converse is true; for if it is false, we have the proposition
“whatsoever is not sin is not of faith.” But the
scripture, and the original proposition, says that whatsoever is not
of faith is sin; so we wind up with the absurdity, “whatsoever
is not sin is sin.” Q.E.D. the converse, “Whatsoever is
not sin is of faith.” The only significance of this fact is
that instead of proving that instrumental music is sin, or sinful,
because it is not of faith; it is necessary to first prove that it is
sinful, before it is possible to prove that it is “not of
faith.” That done, then ipso facto,
it is not of faith, and, of course, sin. But on what other grounds
will it be proved sinful?
In conclusion, allow me to reiterate, that I h a v e no
desire to convert Churches of C h r i s t to Christian Churches,
either “Independent,” or “Disciple”; and I
have no desire to “steal sheep” from the Churches of
Christ, to become members of Christian Churches. Even less do I have
a desire to accomplish a merger or coalition between all of the
Churches of Christ and the Christian Churches. The one supreme desire
of my heart is that leaders and members of both groups will realize,
that this debacle of division is entirely caused by speculation,
where God has not spoken definitely and specifically; and that their
conclusions are not “THE FAITH”, but a matter of human
opinion. It is my heart-felt desire and ambition that both parties
will be big enough to realize and acknowledge that since God has not
commanded either the use or the non-use of an instrument, it cannot
be “THE FAITH”, and cannot be sinful either to use or not
to use. It is the ardent desire of my heart that each party will
recognize and acknowledge the right of the other party to its
opinion, since it can only be an opinion, in the absence of divine
commandment, plain statement of truth, approval by an apostle, or
necessary inference, so long as they do not try to force that opinion
upon others of different opinion. It is my hope that they all will be
big enough to realize that we are united in “THE FAITH”
however much we may be divided in our human speculation and opinion;
that all of every group are children of God, brethren in Christ: one
brotherhood united in the unity of the Father and the Son and the
Holy Spirit. I have no desire, or hope, that Churches of Christ will
install pianos or organs in their houses of worship; or that
Christian Churches will expurgate them from theirs. Members of
Churches of Christ believe that it is scriptural and better to
worship God without a musical instrument; for the sake of their
conscience, and their love of their Lord, allow and encourage them to
do so. Members of the Christian Churches believe that it is
scriptural to use the instrument, and that they can worship more
spiritually that way; allow them to do so. Neither party can really
prove that the other is wrong; or that they themselves are right; why
keep trying?
But such a policy, such procedure, might be only the recognition of an impasse. It might be only a gentlemen’s agreement to compromise, or to enter into an armistice, a cessation of hostilities. Even that would be better than the debates, acrimonious accusations and distrust, the shame among ourselves, and the scorn among “outsiders”, to which we have been treated for several generations; but it is not enough to satisfy God. His Son commanded that we love one another as He loved us. All of us, like prodigals, must return home to our Father; and let there be no elder brother among us. During the campaign for “Unification” between the northern and southern branches of the Methodist Church, I asked a southern Presiding Elder what he thought about “Unification.” His reply was: “The Northern Methodists are just a little bit north of God, and the Southern Methodists are just a little bit south of God. When they all come back to God, and get into Christ, we’ll all be united.” That was a good sermon for a Christian preacher, and all the congregations of Churches of Christ, and Christian churches, to hear . . . and heed. — 303 N. Third St., Baldwyn, Mississippi.
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Claude Stults (M.A.. Butler U.) has for many years ministered to Christian Churches in Mississippi. He is now in semi-retirement.